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. Harry Callahan
by: Sarah Greenough, Harry M. Callahan, National Gallery of Art (U. S.)
1996-03
Thanks to this book I have been able to re-visit the work of Harry Callahan, a photographer I had kinda written off in the distant past as a bit 'all over the place' and not quite 'on the edge' enough for my liking. Perhaps I've mellowed a bit in my taste but now I find it's a revelation to see the intensity of pure and beautiful photographic seeing displayed here. The work shows many obvious influences, which he was happy to acknowledge himself, but it is still a sheer pleasure to see photographs of this creative and technical quality. That he was so openly receptive to other's ideas can either be seen as limiting or enlivening. In an interview I think he said he was 'released' by Ansel Adams who embodied his working practices. ... Read More:
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